Centro Il Garage
Concerts
THURSDAY 4 DECEMBER 2008 at 22.00 22.00
Centro il Garage & FromSCRATCH
THURSDAY 4 DECEMBER 2008 at 22.00
IT'S A MUSICAL (morrmusic)
www.myspace.com/itsamusicalberlin
(elettro-pop da Berlino)
+ Lili Refrain
(one female band da Roma)
info_live:
3491995647 , 3471175494
fromscratch.it - 3398226107
More info:
LILI REFRAIN
Vocal extemporaneousness frees itself on passages of plucked, torn strings arpeggiated, beatings, rubbed, screaming stratified vibrations, almost obsessively, in contrapuntal horizons where consonance and dissonance they walk arm in arm between thick sound carpets and sudden silences i
IT'S A MUSICAL
One of the best releases of the Morr Music for a long time now: it's the It's A Musical, duo formed by Ella Blixt (Bobby Baby, Bobby&Blumm) and Robert Kretzschmar (Lady Boy). The music makes me sick, their debut, will be released October 10: a fantastic record, indie-pop without guitars between Jens Lekman, St. Etienne, Burt Bacharach and the most relaxed moments from Yo La Tengo.
free mp3: * "The music makes me sick"
video of "Bad Day": http://www.itsamusical.com/videos.html
° Ellinor Blixt, born in 1983 in the south
from Sweden, she has many concerts with his bands Bobby & Blumm
e Bobby Baby. She also organizes some pop-camps for teenage girls in
Sweden and Germany. ('Popkollo'/'Ruby Tuesday Rock Camp').
Robert Kretzscmarr carries on his idea of pop music even with
Lady Boy.
Together, they form IT'S A MUSICAL.<
The two artits, divided between Berlin and Cottbus, turned out to be known in 2006, when their bands, Bobby Baby and Lady Boy, shared a tour. They started writing music together on an organ and a piano, adding drum colors, brass and keyboards. Indie-pop without guitars, which look to Burt Bacharach as to Jens Lekman, to Yo La Tengo as to Stereolab and St. Etienne.
° The Music Makes Me Sick, coming out on October 10th, it's theirs debutover long distance after 7" The Music Makes Me Sick/Lazy, just arrived on store shelves
The disc, as well as 7", comes out to Morr Music: is one of the best releases of the Berlin label for a long time time now
Friday 22 August 2008
INFO AND BOOKINGS
:caterina +39 3491995647 - gabriele 335 7879597
IN THE PRINCIPLE: Chronicle of the Hindu creation
An ALMACEN production associated artists
With the contribution of the "Teatro Stabile della Toscana-Teatro Metastasio" of Prato
A show in which Fernando Maraghini, in the role of himself, takes advantage of the encounter with the public to talk about the Hindu creation according to the myth of Prajapati through the study of very ancient poetic texts such as the Rgveda that date back to 1800- 1500 a.C.
The engine of this interest finds its pretext in a sentence "Thanks to God, i'm here"that Fernando Maraghini heard as a child from his maternal grandmother, almost like a sort of mantra. The text recited by Fernando ranges from poetry to philosophy, to myth, giving form to a cosmogony of words and emotions that explore the roots of our origin traveling through the Hindu tradition.
Tilak" in concert
Raag contamination duo
Sitar, Saze and percussions of various kinds, combined with a lively pulse of electronics ... a journey to distant lands accompanied by continuous discharges of energy to the sound state.
Tilak Raag Contamination duo
Francesco Landucci :Sitar, electronics
Matteo Scarpettini : Tabla, percussion
It's part of collective TILAK, which was born in 1996 as an experimental project of Francesco Landucci. Initially he saw the union of Music and Poetry reciting, the poems of Rabindranath Tagore, taken from the Gitanjalied collection accompanied by the mystical sound of the sitar. With other musicians he plays especially on the occasion of street artists festivals and parties.
The project changes in the years, thanks above all to the use of technologies (drum machine,computer,synth ect) nevertheless approach the instruments played.
Some important participations are:: XI Biennale of young Mediterranean artists held in ATHENE, Follia Rotolante Tour transmitted on RAI 2 , VIII edition of Milano Film Festival , "The sound magical garden" Festival held in Switzerland.
thanks for the precious collaboration to gabriele-gibran, and james.
thanks to dino cortona-cs376
Monday 21 july 2008 at 9.30pm
festival VISIONI -
art landscapes with views of
theater
(theater of Anghiari)
"Clash to me" punk story of province
di e con Andrea Merendelli + stra combat rock live band
Born from the deep and visceral love for the musical adventure of the CLASH, "the only band that matters", as it has been defined by the greatest rock critic of all time, Lester Bangs.
CLASH TO ME born from the memories of 25 years of Italy, of Tuscany, of the minor and marginal province that has marked (and sometimes scarred) our lives. The disfigurements that are not forgotten are the death of Roberto Procelli, a friend. A young Tuscan from Anghiari who left his 20 years among the ruins of Bologna Station. A massacre that killed 84 people with him. It was August 2, 1980. A few weeks before 10.25 on August 2, 1980, CLASH played in Bologna. I wonder if Roberto will have seen the CLASH in Bologna, the CLASH of the fiery Piazza Maggiore concert. A month later Roberto is returning home, maybe he saw that concert, but we'll never know.
From this question, which we have been carrying with us for 25 years, from the death of Roberto and the death of Joe Strummer, voice of the CLASH and soundtrack of our lives, the punk story is born, an adult vision of memories of disbanded young people, who live in laughing Tuscany and dream of urban decay. A story of self-excluded young people, now mature and integrated, reabsorbed into this beautiful society that, in words, wanted to fuck. Ex-young punk aimlessly, who today are 40 years old, are bald and with a broken belly. A burned ex-youth who today lives a boiled maturity.Andrea Merendelli recounts poetry and the absence of any stage rhetoric with anger and urgency.
From background to its history, the music & nbsp; played live by the STRAs, & nbsp; a band that has never considered CLASH a former group.
Andrea Merendelli, voice and story Massimo "Gamma" Dalla Ragione, voice and guitar Gabriele Dolfi, guitar Carlo Urci, bass Ezio Boncompagni, drums
Luca Alvisi, phonic
Stefan Schweitzer, lights and videoSaturday 3 november 2007 at 10:00pm
Kiddycar "Forget about"
In collaboration with SGANGHERART
Thursday 6 september 2007 at 09.30pm
Andrea Chimenti "Vietato morire"
In collaboration with SGANGHERART
www.myspace.com/andreachimenti
Sul film:
C A N T I C O D E I C A N T I C I
A film by
Maria Erica Pacileo
Fernando Maraghini
Alessandra Bedino
Andrea Chimenti
The film CANTICO DEI CANTICI was made in the splendid setting of Salento during the month of August 2006.
Uniquely interpreted by a talented Alessandra Bedino, she uses the extraordinary participation of Andrea Chimenti, who signs the magical soundtrack as author.
The direction, signed by Maria Erica Pacileo and Fernando Maraghini, goes into a particular reading of the "Song" which has been translated by Jack Arbib.
The story is that of a young woman who, witnessing the death of her partner, decides, as a gesture of desperate love, to tell him the "Song" by entrusting the power of her words with the task of accompanying him serenely to the other end of life.
The film was made possible thanks to the contribution of Il Carro of jan Cultural Association; Municipality of Prato, Department of Culture; Municipality of Arezzo; Municipality of Monte San Savino, Department of Culture; Diocese of Arezzo-Sansepolcro-Cortona, School Office.
From autumn 2007 it will be available on DVD with the distribution of EDITRICE ZONA.
1 november 2005
Masha Qrella "unsolved remained tour"
in collaboration with www.fromscratch.it and www.suiteside.com
Masha Qrella is the rising star of the " folk-tronica " scene Berlin, already & nbsp; keyboard player in the electro-synth-pop trio Mina as well as guitarist in post-rock training Contriva. In the last four years he has been able to draw inspiration from his past musical experiences to undertake an original solo path with two records that reflect a sensitive and refined poetics.
Masha reworks folk material in the light of technology and digital: its beautiful and touching voice is accompanied by soft guitar arpeggios dilated on a rhythmic carpet of drum machines and electronic loops. After the excellent " Luck ", Minimal debut for the small German indie Monika Records, arranged solo with guitar, laptop and drum machine, Masha focuses on a more careful search for sounds and melodies. The stylistic completeness of the new album "Unsolved." Remained " published by the prestigious record label Morr Music (spearhead of the neo-pop and electronic Teutonic scene), recorded with the help of a real band of four elements, reflects the stylistic code of an artist who reserves us many surprises for the future.